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Showing posts with label black. Show all posts
Showing posts with label black. Show all posts

Nov 15, 2015

UV Session 1 - The Magic of Fluorescence

I've always been fascinated by ultraviolet portraiture. Once I found the models and makeup artists I wanted to work with, and did my homework on how to get the most out of the props and lighting, it came together nicely. So nicely, in fact, second session, with two different models, was done only six days later.

I find it so captivating and that it fits my desire for vibrant and surreal colours in my photos. I see many more shoots like this in my future and welcome any talent that wants to participate in being a part of it.

For a change, I'm not going to commentate, but let the photos do the talking.

Thanks so much to Infinity Management and Missy Makeover for being so enthusiastic about this and being a critical part of this session being successful. Without Bruce Johnson's help, this wouldn't have happened, either!

Models: Colleen A. Shalley and Melissa Agarand
Hair: Colleen A. Shalley
Makeup: Missy Makeover
Photographer: Jay Scott Photography

The behind the scenes time lapse:



All photos on 500px are here.

UV Session 1-1 by Jay Scott on 500px.com


UV Session 1-2 by Jay Scott on 500px.com


    UV Session 1-3 by Jay Scott on 500px.com


    UV Session 1-4 by Jay Scott on 500px.com
 

UV Session 1-5 by Jay Scott on 500px.com

     UV Session 1-6 by Jay Scott on 500px.com

    UV Session 1-7 by Jay Scott on 500px.com

     UV Session 1-8 by Jay Scott on 500px.com
 

UV Session 1-9 by Jay Scott on 500px.com
 
    UV Session 1-10 by Jay Scott on 500px.com
  
    UV Session 1-11 by Jay Scott on 500px.com
 
    UV Session 1-12 by Jay Scott on 500px.com
 
    UV Session 1-13 by Jay Scott on 500px.com
 
    UV Session 1-14 by Jay Scott on 500px.com
 
    UV Session 1-15 by Jay Scott on 500px.com
 
 

Mar 26, 2015

Seven Months Old

  Photograph Seven Months - 1 by Jay Scott on 500px

I know that I said in my last post that Fiona's picture with my parents would be her seven-month photo but I needed to make a photo to take my mind off all of the recent business I have been going through with Home Care. What will be more perfect than a shot I had in mind of Fiona, little as she seems when we set her on the floor, on our bed with a huge, sweeping black backdrop?

  Photograph Seven Months - 2 by Jay Scott on 500px

I received a call from the director of home care and will be having a meeting with him and the nursing operations manager tomorrow at 10 AM. Here's hoping they see my reasoning and things stay as they are with the status quo. That would be the best case scenario. The alternative, which is the least I will settle for, may be enough to appease me. At least he was good enough to call me back and was very friendly. I have heard nothing but good things about him being a pleasant and reasonable person and that will at least make for a less stressful meeting than it could be if he were not as pleasant.

  Photograph Seven Months - 3 by Jay Scott on 500px

As little as I might sleep tonight, it's probably a good idea to get to bed and try to find as much rest as I can. These photos should at least keep me smiling if I'm laying there awake staring at the ceiling. Hopefully this is all over and resolved tomorrow and I can get back to the things that I feel my time is worth spending on, not these months of research, writing defenses, responding to e-mails and finding my reasoning bouncing off of brick walls.

Jul 21, 2014

One New Baby is Here

  Photograph Rainbow Loom Critters by Jay Scott on 500px

Picked up my D810 yesterday. I'm very impressed with the image quality, build, buttons, feel and all improvements I see from my D700. Who would've thought that my first test photo with it would be the two Rainbow Loom critters generously given to each of us from a sweet little girl from our church. Thank you, Rebecca! Shot on an obsolete black CD-RW containing a copy of Return to Wolfenstein. How ironic that I'm watching Nazi Mega Weapons on Netflix while I work on this.

For the record, the dynamic range on this body is superb. However, I was going for dramatic to make the colours pop so I blackened the blacks in post. Love that ISO 64 when working close for macro photos with speedlights. AF is blazing fast, everything just feels so good in hand. Yes, a lot of money, but I've shot 19 photos with it and feel this good about the decision.

Mar 11, 2013

Stages


The best photo shoot I had ever had was grad photos of Rebecca, Cassie and Kayla. The energy and enthusiasm they had, despite the unbelievable mosquito population was motivating. The comfortable weather, their lovely dresses, hair and makeup all came together to make for one of the best 45 min. of my life. I wish I had three times that much time to work with them but they had ceremonies to get to. :-)


That was a few years ago and it still sits in the top number of photo sessions I have ever had. Rebecca is about to enter a new stage in life when she gives birth to her son in a week or less. It was my pleasure to photograph her to help her preserve the memories, hopefully mostly the good ones, of this pregnancy.




Recently on a Facebook page for disabled photographers the question was posed, "what do you use for adaptive equipment?" I thought about it, and aside from the oral shutter release I designed and built for my Pentax, I do not use any adaptive equipment. I am grateful to have found a way to make photos without any additional barriers, that is, relying on more specialized equipment. When we first got our point-and-shoot camera it was wonderful to just have a camera that I could use with my clumsy hands. When the time came to upgrade to a DSLR I, once again, made my decision largely based on what I could use with my hands. Thankfully, I was not able to use that camera in the way I intended because the weight was greater than the demo model I tried in the store which had a lesser lens on it than mine would. I was forced to find a better way to hold the camera because I had already purchased it and surpassed the time frame permitted for a return. Thanks to that I was able to base my next upgrade almost solely on the merits of the camera system and not on what would work for my hands. If I was dependent on a camera body design, had Nikon's next body been what I was looking for, but been redesigned to a shape I could not use, I would be stuck with what I had hoping that their next model would work for me.

My point is that I am thankful I do not require any adaptive technology but, to answer the question posed on the Facebook group, I had to say how greatly appreciative I was of having Angie to assist me as efficiently as she always does so that we can get as much done in two hours as we did. I know most photographers have an assistant and that it makes a huge difference in their ability to work but Angie's efficiency, and familiarity with my style of working, made a huge difference in the final results.




That assistance allowed me to spend more time talking with Rebecca and keeping her in the spotlight and not told to just "wait a minute" while I am adjusting a light or some other small thing. Her mom was there, as well, which helped me to keep the expressions real and make photos that are difficult to make until your talent is comfortable and at ease.




I hope everything goes very well for Rebecca in the coming days and that she will be able to look back on these photos with fondness. I know I certainly will because it was an absolute pleasure to make them with her lovely smile, wonderful personality and easy-going nature. I'm happy to say that now two of my best photo sessions include her.